MEG – 01: BRITISH POETRY
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Thursday, December 09, 2021
Herbert as a religious poet.
A critical note on Chancer's art of portraiture in The General Prologue.
MEG – 01: BRITISH POETRY
2. Write a critical note on Chancer's art of portraiture in The General Prologue.
Weep no more, woful shepherds, weep no more, For Lycidas your sorrow is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams and with new spangled ore, Flames in the forehead of the morning sky: So Lycidas sunk low, but mounted high, Through the dear might of him that walk'd the waves.
MEG – 01: BRITISH POETRY
(C) Weep no more, woful shepherds, weep no more, For Lycidas your sorrow is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams and with new spangled ore, Flames in the forehead of the morning sky: So Lycidas sunk low, but mounted high, Through the dear might of him that walk'd the waves.
Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice!
MEG – 01: BRITISH POETRY
(a) Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice!
Answer :
Explanation: Kubla Khan heard the voices of his ancestors, predicting that war would come. The shadow of Kubla Khan's pleasure palace was reflected by the waves, and you could hear the sound of the geyser mingling with that of the water rushing through the caves. This was truly a miraculous place: Khan's pleasure palace was both sunny and had icy caves. If could recreate with in myself the sound of her instrument and her song, it would bring me so much joy that I would build Kubla Khan's pleasure palace in the sky above me: that sun-filled dome, those caves full of ice!
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Monday, September 13, 2021
The play within the play in A Midsummer Night’s Dream
MEG – 02: BRITISH DRAMA
1. Discuss the play within the play in A Midsummer Night’s Dream.
In this play the apparently anarchic tendencies of the young lovers, of the mechanicals-as-actors, and of Puck are restrained by the “Sharp Athenian Law” and the law of the Palace Wood, by Theseus and Oberon, and their respective consorts. This tension within the world of the play is matched in its construction: in performance it can at times seem riotous and out of control, and yet the structure of the play shows a clear interest in symmetry and patterning.
Pre- Raphaelites & critical appreciation of this age/movement and the characteristics of the movement
MEG – 01: BRITISH POETRY
5. Who were the Pre- Raphaelites? Critically appreciate any one poem of this age/movement and highlight the characteristics of the movement
Blake’s Songs of Innocence and Songs of Experience as precursors of the Romantic Age
MEG – 01: BRITISH POETRY
4. Critically examine Blake’s Songs of Innocence and Songs of Experience as precursors of the Romantic Age.
Poem by Donne or Herbert or Marvel as an example of metaphysical poetry
MEG – 01: BRITISH POETRY
3. Examine any one poem by Donne or Herbert or Marvel as an example of metaphysical poetry
Spenser’s Prothalamion as an example of both renaissance writing as well as a nuptial song
MEG – 01: BRITISH POETRY
2. What do you understand by the term renaissance? Examine Spenser’s Prothalamion as an example of both renaissance writing as well as a nuptial song.
Chaucer’s Prologue to the Canterbury Tales within his vast writing career, as a social commentary of the age.
MEG – 01: BRITISH POETRY
1. Locate Chaucer’s Prologue to the Canterbury Tales within his vast writing career, as a social commentary of the age.
Monday, July 20, 2020
Anand’s use of imagery in his novel Untouchable.
2. Examine Anand’s use of imagery in his novel Untouchable.
Theme of ‘Dawn at Puri’
d) Theme of ‘Dawn at Puri’
Narrative techniques in Gajar Halwa
c) Narrative techniques in Gajar Halwa
Bini Tara relationship
b) Bini Tara relationship
Form of Hind Swaraj
1. Write short note on:
a) Form of Hind Swaraj
‘When Lilacs Last in the Doorway Bloomed’ by Walt Whiteman is as much a poem about life affirmation as it is a poem about death.
5. ‘When Lilacs Last in the Doorway Bloomed’ by Walt Whiteman is as much a poem about life affirmation as it is a poem about death. Do you agree? Give a reasoned answer.
Death of a Salesman as a realist tragedy.
4. Critically examine Death of a Salesman as a realist tragedy.